Stranger Magic – Marina Warner

StrangerMagic

“Magical thinking structures the processes of imagination, and imagining something can and sometimes must precede the fact or the act.”

In Stranger Magic: Charmed States and the Arabian Nights, Marina Warner examines the presence of enchantment and magic in everyday culture, and the reasons for its continued persistence despite its difficult co-existence with science. To do so, she studies how the perception of magic and imagination has evolved over history in the context of the Arabian Nights, and worries magic has been made more comfortable for Western audiences through the exoticisation of Oriental material.

She begins each chapter with a chosen story from the Arabian Nights, and analyzes it in detail before moving on to its larger implications. For me, this was actually the highlight of the book: I haven’t read the Arabian Nights in years, and having someone explain the context of the stories was fascinating. She covers Shahrazad’s gradual move from stories of men wronged by women to stories portraying women as victims, eventually earning the Sultan’s forgiveness for all women and his agreement to stop executing one per day.

Arabian Nights was enormously popular in Europe when it was translated, so much so that many of the classic tales we associate with it, like Aladdin or Ali Baba and the Forty Thieves, were actually additions by European translators. Warner argues that the Arabian Nights were one of the first major popularisers of flights of fancy in Western European thought. They have provoked imagination and ideas ever since, and it is imagination that is key to knowledge, key to ethics, and key to humanity.  The Enlightenment may have been the Age of Reason, but it also required imagination, and it is fiction and magic that allow for imagination to grow. Unfortunately, she suggests, since then magic has become perceived as exotic and foreign, diminishing cultural exchange and cultural understanding, not just of reason and imagination, but of East and West.

The book, however, is almost impossible to take good notes on: she moves directly from Mongolian Shamanism to Obama’s Dreams from my Father, all in the context of understanding dreams. Such tangled webs make for interesting reading, though some chapters seem to lack relevance. That said, her thesis on the importance of imagination is one I am sympathetic to, and the framing of the issue in Arabian Nights is excellent. All of us might be better off if we were a little more willing, even in this rational world, to indulge in magic, both strange and everyday.

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